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  Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. Learn about the Whole Half Diminished Scale on Guitar FREE eGuide! It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. It's played over altered dominant chords and has tensions b9, #9 & #11. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. D Half-Whole Diminished Scale. Diminished Half Whole: Essential Info. I don’t always think about the scale starting on the root note. The chord from the C H/W Diminished Scale is a C7♭9 (C E G B♭ D♭); The chord from the D♭W/H Diminished Scale is a D♭dim7 (D♭ E G B♭) D♭dim7 = Rootless C7♭9. While, the Whole-Half Diminished Scale is used over a diminished chord. In the video I’ve used the example of a Bb7 chord. That is the beauty of being able to READ music. It’s an eight note or octatonic scale that alternates between half-steps and whole-steps. In a strict definition of a diminished scale, it always starts with a whole step when ascending the scale. Half/Whole Diminished Scale Starting on Bb. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. Like its brother, the fully diminished scale, the dominant diminished scale is octatonic in nature, and exists only in a few forms. highest pitch string at the top (unless you've tuned your instrument differently.) THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). There are, however, multiple applications for these scales. Hope you enjoy! The whole-half diminished scale is commonly used in conjunction with diminished harmony (e.g., the E dim7 chord) while the half-whole scale is used in dominant harmony (e.g., with an F ♭9 chord). When you know what KEY is being played, knowing the intervals permits one to transpose the specific note(s) to the correct location on ANY string... CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG! A summary, THREE OCTAVE THREE NOTE PER STRING MINOR BLUES SCALES. However, it is difficult to remember the appropriate applications for the scale. The diminished scale is an eight-note scale that is built by picking a tonic note, and then alternating whole steps and half steps from that starting note. Home > Symmetric Scales > Whole-Half Diminished Scale. In the case of this scale, a 1/2 step interval followed by a whole step interval. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. If you look at the scale, every other note is a part of the chord. It's played over altered dominant chords and has tensions b9, #9 & #11. The notes in-between act as leading tones to the chord tones. Which one to use really depends on what's appropriate for the tune, and what sounds you personally enjoy the most. As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. As you may have guessed from their names, the formula for the half-whole diminished scale is up a half step or semi-tone, then up a whole step or tone. First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory. The Diminished Whole Half scale is also known by the following names: Whole Half. D Half-Whole Diminished Scale. In a strict definition of a diminished scale, it always starts with a whole step when ascending the scale. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. Whole-Half Diminished Scale Diminished Scale Diminished Whole-Half … Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] In summary, the whole tone, half-whole diminished and altered scales are simply some different options you have available to you when you're soloing over an V7 chord. AWESOME CONTENT! There are two diminished scales called the half-whole and whole-half. It is more commonly known as the Locrian ♮2 scale, a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It must not be confused with the Diminished Whole Tone Scale, see the Dominant Diminished Scale. a symmetrical scale and alternates between a tone and a semitone. It could remind you of something you’v… The half-step and whole-step intervals are identified in the first example shown to the right. Because of that it is also commonly referred to as the whole-half diminished scale. The H/W Diminished Scale and/or associated chord can be substituted in place of a V7 chord. It is the sixth mode of the ascending form of the melodic minor scale (or jazz scale). Home > Symmetric Scales > Whole-Half Diminished Scale all-piano-scales.com en Français. Unlike other scales which contain seven notes, these scales contain eight notes. The scale is sometimes called whole-half scale, or octatonic scale. The D half-step/whole-step diminished scale would be used with D7alt, F7alt, Ab7alt and B7alt chords. Those are the three whole-half diminished scales. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. This is because the pattern to build the dominant diminished scale is a complete sequence of half and whole steps. Diminished Scale (Half Whole) Diminished scales can be a lot of fun but these are one of those ones you really should know WHY you are learning it before you do - or you might find yourself wasting a whole lot of time learning something you don't need! The half-whole diminished scale is an 8 note symmetrical scale. Before print or download please save it first. It contains the intervals 1,b2,b3,3,#4,5,6,b7. THE ROOT NOTE IN RED AS OPPOSED TO NUMBERS ALLOWS US TO TRANSPOSE ANYWHERE. Whole-Half Diminished Scale. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. The half diminished scale is a seven-note musical scale. If you're looking for some real life examples of the whole tone scale in use, I recommend checking out this video of Thelonious Monk, who often uses it in stride piano-style descending runs. It contains the intervals 1,b2,b3,3,#4,5,6,b7. 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