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The last or main solo on Comf Numb was recorded with a Strat – Muff – Hiwatt – Yamaha rotary. However, how do you clean it up some? Delay is a huge part of David Gilmour's tone: for basic solo and echo tones, an analog is a must have since Tape Echos like his Binson are a bitch to maintain and use if you're doing shows. – Bjorn]. You also need to set each amp individually and not apply settings between them. The 30 is an amazing amp no doubt, but it’s just WAY too loud for my apartment. The Boss BD2 could easily cover for a Colorsound Powerboost but it’s really a close resemblance of the Tube Driver and it works just as good as a booster as an overdrive. Tips and How-To's. So should I go with the Black Secret? I was reading the Catalinbread Echorec manual last night, it stated that the preamp had a load of clean headroom available via an internal pot. With lots of gratitude Placing it after, will be more like adding an EQ. They are, as far as I know, all modified to perform and sound their best. the duncan was a little too powerful and had less hight. [Don’t have any tabs, I’m afraid. Hard to tell what effects he might have used for that song, but the guitar sounds pretty clean for the rhythms, with perhaps an Electric Mistress. Let’s dive right in. David had two of these in the rig. Found insideFigure 5—Guitar Solo I may end up saying this a lot in this book, but the solo to “Comfortably Numb” is truly one of Gilmour's shining moments. The tone is ... I’ve always liked the BD2. salut Bjorn, Are you sure all your cables are OK? The Big Muff doesn’t clean up that well as it has a lot of gain. Im just wondering why on his last album he never did or on tour. My pedal chain is: Dynacomp clone>Rat>Soul Food>Phase 90 clone>EHX Pulsar Tremolo>TC Alter Ego X4> EHX Memory Boy> EHX Cathedral But would you put this pedal in the league of some of these fancier boutique clones? – Bjorn], C: thanks for the quick reply I have followed many of your suggestions/recommendations: I am playing an American Strat with the EMG-DG20 pickup set, into a little board that includes a newer EHX Big Ram’s Head Big Muff, MXR Dynacomp and Carbon Copy Delay, and just recently acquired the Mooer ElecLady. That’ll save you a lot of hard earned bucks in the long run. Literally every brand has at least one clone in their portfolio. I had the Triangle version and really liked it, but I got rid of it after I bought a Top Tone DG-2. Left my guitar in for a setup today, was just leaving the shop when out of the corner of my eye I spotted a Muff Pi tucked away behind a load of junk in a glass display. Rolling back the pedal’s volume will often reveal more harmonics in the tone and making the Muff sound more like a fuzz. Thanks for the tip! I’ve gotten a lot out of watching your hands as well. You can find more about this and other builds here: A mids boost on your Muff or from an EQ will be more accurate and efficient I guess as you would apply it only when needed. Extremely versatile pedal that can cover anything from overdrive to Muff and fuzz tones. – Bjorn]. I have a few questions and comments in regards to the Big Muff with Tone Wicker. Since I’m not playing Earls court anytime soon, I wasn’t really thinking I needed 50-100W at this time. Kemper rigs ready to Floyd! Hi Bjorn, I have a Fender strat going through the Laney Cub 10 with 6V6 tubes, so not a mid pronounced amp. Do you think in Gdansk set he placed a booster before muff? You’ll see the settings there. Check out EuroTubes for some tips on how to select tubes for your rig. I recently got a violet rams head clone by chicago stompworks and I find that a) unity volume is around 25 % and the pedal is true to the original with the hi cut knob as opposed to a regular tone knob b) if i run my TS-9 after the muff it really muddies everything up! I can’t remember DG ever using the neck pickup on his classic, meanest solos (e.g. There’s nothing subtle about it. I haven’t tried the Little Green but based on what I’ve read it seems to be close to the TS808 and OCD, with a bit of mids and compression. I rarely use the EXG. In Addition I’m using a Strat with custom wound Neck & Middle at 5.8k and a Dimarzio FS-1 on the bridge. Thanks again, Dave, [Definitely the BD-2. Hi! Do you know if anyone has original screw types that match the thread of the originals, the 4 chrome ones preferably in the UK ?. I love the big muff tone in sorrow. This will boost the power stage and emulate a full blown amp. I prefer a Power Booster as it’s easy to set up clean and it doesn’t have the mid range and compression that will colour your tone. Depends on your amp and pickups but a good place to start would be with the volume slightly above unity, tone around 9:00-10:00 and the gain around 8:00 or 9:00. When you engage the pedal there should be no volume boost or drop. See this feature for tips on setting up your amp in a bedroom. Share this post: Pickups are a set from Romano Burini, a very talented italian luthier who modeled these pickups after the ones on the Relic signature Strat. It is one of the Holy Grails of guitar tone, combining sheer power, emotion, and well-implemented effects to create the “wall of sound” (no pun intended) that we know and love today. I had listened to the Skreddy Pink Flesh pedal and really thought that one was the best, and it is good, don’t get me wrong. Boosting is a vast topic and it depends on what you want to achieve. – Bjorn]. I love it’s EQ and very full “hi-fi” tone, but it has a quick decay, especially when I am using it with drive lower, just for mild effect like on “Shine On…” When used alone it has little sustain and cuts quickly, yet when used after a Muff it does well, I presume the muff is driving the sustain. GETTING THE TONES - In general, the Ratle That Lock and The Endless River album tones are similar to David's On An Island tones. I’m not familiar with the Zinky so I can’t tell about that one but the Twin is a very bright sounding amp so no wonder the gains sound trebly. how can i... Hey Bjorn, I have both a Vick Audio 73 Rams Head and a Buffalo Evolution for distortion. On the Fulldrive, I roll off nearly all of the overdrive, keep the vol around 40-50%, and treble around 75-80%, and it really makes the BMP roar, and also helps push the amp wonderfully. Bjorn, well since the EHX Double Muff ain’t gonna cut it, I ordered a BYOC Triangle Version Large Beaver as a pre-built. 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