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The most obvious update for the MPC Live II comes in the form of a chunky black built-in speaker sat across the full width of the hardware’s bottom edge. With battery power and built-in speakers, the MPC Live II is ready to rock some blocks. Sequence, edit and chop samples on the bright 7-inch touch screen color display. If the display layout of the MPC Live II ever feels cramped, you can simply transpose your project into the MPC software and view it via a computer display, which is an awesome ace in the hole. Please refresh the page and try again. Most notable of these is the addition of four stereo mini jacks on the rear for outputting CV signals. Akai MPC Live II Production Center For the music makers who never want to miss an inspirational moment, meet the Akai MPC Live II. The behemoth-like MPC X was the flagship, but the MPC Live was the standout. There’s an ethernet port labelled Link, which provides a connection for Ableton Link-based sync setups. But does this speaker-toting follow-up revolutionise the hardware giant’s box of wonders? The MPC Live II also includes the updated 2.8 software, a weighty library of demo songs, and 10GB of loop/sample content. Software version 2.8’s new retrospective-record feature is as welcome as Capture was to Ableton Live 10, and a brilliant bit of insurance if you ever forget to hit record or didn’t expect yourself to play so well. The MPC Live II is well connected, especially given its size. In terms of its balance of capabilities and convenience, there isn’t anything on the market to rival the MPC Live when it comes to realising the dream of wireless, go-anywhere music production. © 2021 MusicTech is a member of the media division of BandLab Technologies. It's been two years since we reviewed the MPC Live, which was Akai's return to stand-alone music workstations. If you’re looking for a new sampler/beat machine/sequencer to sit at the heart of your hardware rig – and one that integrates MIDI, CV and audio – this may be just what you’re looking for. We’ve waxed lyrical on multiple occasions about our scepticism of the need for companies to keep adding speakers to their synths and grooveboxes – they rarely sound decent, offering no substitute for headphones or proper monitoring and – in the case of Volcas, POs, etc, – have more capacity to annoy those around you than aid your music-making. The button layout has been revised. There have been a few tweaks to the control layout too, the most significant being that the master volume has moved from being a small dial on the rear panel to a chunky front panel knob. The Live II now boasts a step sequencer, mix, timing correct, mute, and next sequence controls, making fine use of its available space without feeling cramped. CV sequencing slots nicely into the existing MPC workflow, and the ability to trigger and sample analogue hardware adds to the appeal of using the MPC Live as the hub of a live setup. In capabilities terms, the MPC app is a DAW-level sampling, recording and arrangement environment stocked with a comprehensive range of tools. Round the back, there are eight outputs, including four TRS CV/gate jacks, essential for users of boutique and modular synths. If you have a dedicated bag, stand or Decksaver-style cover for the original Live, you’ll need to get out the measuring tape. The convenience of the MPC Live II really is irresistible. Users of the MPC Live who don’t want speakers might not be motivated to upgrade, especially as the 2.8 software update is compatible with the original model. It had a seven-inch multitouch display and an assortment of buttons for transport and other functions. On the digital side, this machine runs the same MPC 2 software as the previous generation Live, MPC One and MPC X, which has just been updated to version 2.8. Fret not! Although not new in 2.8, the Live II includes a Live control mode for wireless control of Ableton Live’s key features. From fixing clicks to sound design, the lowly fade can be a powerful tool. The aforementioned CV/gate outputs are good news for anybody using modular synths, where it’s a popular control language, or those using any other type of synth that supports the protocol, such as the Arturia MiniBrute 2. Ableton Link primes … There’s more inside, as the Live II includes a bay for an internal hard drive (SSD recommended), and an internal battery, which first appeared in the Live I. You are literally getting the same hardware, minus the CV connectivity and the heavy built-in monitorsand the ethernet connection. Akai Professional’s reimagined MPC 2 Software drives MPC Live II in both standalone and controller modes. This allows the MPC hardware to connect to multiple devices simultaneously, using an external USB hub or MIDI interface. How big a deal is this? MPC Live II is the rst MPC with a built-in stereo monitoring speaker system. Some firmware refinement is needed to justify its price, but there's a lot to like about this inspiring and intuitive standalone sampler. In terms of quality, you can’t really go wrong with either. This is a cutting-edge production suite combining real-time time stretching, clip-launch functionality, on-board synth engines, VST compatibility in controller mode, operation as a standalone application on Mac & PC, seamless DAW integration and much more. These interface elements were combined in various ways to manage drum kits, software instruments, pattern and song creation, sampling, and audio and MIDI inputs and outputs. Five new hardware buttons are onboard to enhance the editing workflow, including Mute, Time Correct and Mix, allowing you to tweak tracks without skipping a beat. Here's a tool that can reduce the velocity range, should it be desired. Any machine marketed as a hub better well have some solid sync options. They’re hard to miss, and have proven somewhat controversial among MPC users on forums and social media. Sure, the addition of speakers has added to the model’s bulk but we think that’s a worthy trade for the joyous spontaneity they bring. With lockdown restricting full-band recording for PSB's next album, and without his key kit, Willgoose found himself adrift, with only a selection of outdated and underused tech in his home studio. All in all, the MPC range is at the most appealing right now that it’s been in the 21st century. It fits well with the rechargeable battery too, making it easy to up sticks and work on an idea away from the studio. You don’t need cables and you don’t need headphones. This is a cutting-edge production suite combining real-time time stretching, clip-launch functionality, on-board synth engines, VST compatibility in controller mode, operation as a standalone application on Mac & PC, seamless DAW integration and much more. Software workflow remains a little complex and disjointed. The only thing you’re missing with Link is that it doesn’t do start/stop or any song position. It doesn’t feel all that long ago since we were endlessly jamming with the inaugural MPC Live, a colourful, balanced unit that managed to be both welcoming and fun for newcomers while boasting a depth of functionality that contributed to Akai’s all-in-one ambitions. Our Cosmo Music retail store is closed until further notice. Crucially, the Live II’s speaker actually sounds good, offering decent volume, a surprisingly good stereo image and – crucially – a fair amount of low-end presence. This smaller second iteration comes in at 411.5 x 45.7 x 243.8mm, with the new in-built speakers adding 19.8mm to unit’s depth. But if you’re enticed by a brand new battery-powered production and sampling machine, you’ll love this unit. But rest assured that they’ll absolutely dominate a quiet room, and can more than hold their own as part of tabletop jams alongside phones, tablets and laptops. Link works over wifi but there’s also support for Bluetooth MIDI in/out, as well as for devices such as computer keyboards, so you don’t have to keep tapping at the touch display to enter project names. Take complete command of your production with Akai Professional's iconic 16-pad format. Though Akai received many requests to feature a monitor output on this new model, for now, this is as good as it gets. Bath It can, however, be used in some creative ways to make the most out of your sounds. The world’s leading media brand at the intersection of music and technology. We have a few issues trying to get the Akai Force and MPC Live II to sync via Link but, as soon as Ableton Live was running, they synced perfectly to that. If the battery is fully charged, you don’t need a mains plug either. Add a pinch of distortion and a light crackle to dust up your sounds, From DIY synths to vintage remakes, there are plenty of wicked wave-makers that sit in a reasonable price bracket. Honestly, we’re not convinced. The MPC Live II sounds good on your lap but transmits its low end more effectively on a table. Thank you for signing up to Musicradar. Akai Professional's reimagined MPC 2 Software drives MPC Live II Retro in both standalone and controller modes. The Live II remains the high point of the current MPC range. This software comes in two forms: there’s a version that runs on the MPC Live, MPC One, and MPC X; and another that exists as integrated DAW software. The original features were robust, with 16 velocity- and pressure-sensitive pads, each encircled by RGB LEDs. The second take on a studio classic, this sleek new design packs the internal specifications to cope with all manner of tasks. I’m forced to admit though, it’s a nice addition here. The new Akai MPC Live II replaces the now discontinued MPC Live. Take compete command of your production with Akai Professional's iconic 16-pad format. Just as crucial – maybe more so – is that the MPC 2.8 software update has added important new features such as the MIDI Multi functionality. You’ll lose a lot of value if you sell your original MPC Live unit, and the Live II’s new features will be less enticing for upgraders than they are to new customers. We still wouldn’t rely on it for mixing or in-depth sound design, but for setting up kits and bashing out patterns it works nicely. Buyers' guides to all the best music gear, The 16 best software samplers in the world today, 15 easy blues guitar chords every guitarist needs to know, The 25 best VST/AU plugin synths in the world right now: all the best soft synths you need in your DAW, The 20 hottest bassists in the world today, Exclusive: The making of McCartney III - "Once he’s in the vibe, he doesn’t want to stop", Ben Howard talks tones, tantrums and orchestral guitars. There was a problem. A truly go-anywhere music production experience – and now better equipped than ever. All you have to do is press Shift+Rec to print the last MIDI part you played in. To recap, the software is available to use in two ways – standalone on the machine itself, or as a desktop application using the MPC as a controller. What you may have forgotten, though, is the size of the thing. Back in 2017 Akai made something of a U-turn with their iconic MPC range. Given their size, they sound almost beyond the limits of what’s physically possible. The MPC Live was already packed with features on the software front, boasting everything producers need to record and prepare samples, including onboard effects, onboard software instruments in the shape of Air’s Bassline, Electric, and Tube Synth, and pattern-sequencing, and beat-making tools. After spending several months with the Akai Force, whose touch interface is similar to the MPC Live II’s, we’re left a little confused. After a slew of new products, Akai has turned its attention to updating the mighty MPC Live. It won’t be long before some imaginative artist purchases a Live II and uses it to build an entire album – without using headphones. Aside from the Korg Volcas and the Novation Circuit, there are few other hardware synths with built-in speakers. The Live II remains the high point of the current MPC range. The DAW version is not required to operate the MPCs; they work totally independently. Visit our corporate site. Sequence, edit and chop samples on the bright 7-inch touch screen color display. It doesn’t quite provide Push levels of control but it doesn’t hurt to have it. It also runs as a plug-in for other DAWs. On the software side, the MPC Live II and MPC One use the MPC software, which ties in with the desktop MPC DAW/plug-in mentioned earlier. You will receive a verification email shortly. This is a cutting-edge production suite combining real-time time stretching, clip-launch functionality, on-board synth engines, VST compatibility in controller mode, operation as a standalone application on Mac & PC, seamless DAW integration and much more. In all, it doesn’t feel like too much of a compromise in exchange for truly self-contained, portable music-making. Feeling highly strung about your current project? This is a cutting-edge production suite combining real-time time stretching, clip-launch functionality, on-board synth engines, VST compatibility in controller mode, operation as a standalone application on Mac & PC, seamless DAW integration and much more. The Live II hardware update brings a tweaked button layout and more connectivity but, perhaps dominating all of that, are its new onboard speakers. The behemoth-like MPC X was the flagship, but the MPC Live was the standout. You could argue that Akai has missed a trick here by not equipping the MPC Live II with a tiny microphone too, to provide the full standalone sampling experience. The MPC Live II retains those lush full-size pads, with velocity and aftertouch response. More speaker mileage can be obtained by connecting other devices, for example, an Elektron Model:Samples, to the inputs, setting an audio input to monitor, and mixing the Elektron’s sounds with those coming from the Live II, so it transforms into a hub for audio, MIDI and CV. We had a splendid time reviewing the Akai MPC Live II. Somewhere down the line, we’d like to see the MPCs and Force softwares merge, so the Force can sync with the MPC software, and the MPCs get the lovely arrangement view that appeared in the recent Force beta. BA1 1UA. We’re not here to review the DAW software but we are interested in how it relates to Live II. When you touch a Q-Link control, you’ll see an overlay on the screen showing the currently controlled parameter and values. It also features a large data knob and four smaller multifunctional Q-Link knobs. As the name suggests, it’s a sequel to 2017’s original Live, which offered battery power and computer-free use for … The MPC Live II is the latest member of the family, and as the name suggests, it replaces the original MPC Live in the lineup. Take compete command of your production with Akai Professional's iconic 16-pad format. There’s no master, meaning that anybody linked can join or exit at any time. The most powerful laptop-free production solution on the market right now. Features: - Standalone MPC -- no computer required- Built-In monitor speakers- 7" high-re Akai Professional’s reimagined MPC 2 Software drives MPC Live II in both standalone and controller modes. We take a look at the Tel Aviv-based couple's workspace to learn why the Roland Juno synths helped glue together the upcoming album, KIDS. We round up some of our favourite sites for fresh, inspiring samples. The Akai Professional MPC Live II includes onboard Splice integration to simplify sample browsing and auditioning. A retrospective record tool has been added too, effectively the same as Ableton’s Capture, allowing users to recall recently played MIDI parts. A specific input device can be set up as the main keyboard or controller, whatever track is selected, and MIDI can now be routed between tracks, so that different instrument sounds can be stacked. The MPC Live II keeps the phono inputs but forgoes the mic and instrument inputs and goes with 6 individual outs, while the MPC One has the tightest selection, with just two individual outputs and no mic, phono or instrument inputs. Standalone MPC – No Computer Required | Powerful Multicore Processor System | Built-in Stereo Monitors | 16 Full-size Velocity Sensitive RGB Pads | Brilliant 7-inch Multi-Touch Display | 2 GB RAM, 16GB Onboard Storage, Over 10GB pre-installed content | Mac & PC Controller for MPC Software (included) | Stereo Inputs 3 Stereo Outputs | Phono Level RCA Jacks | 2 x MIDI In & 2 x MIDI Out | 4 TRS … Once you’ve familiarised yourself with when to use the touch display and when to use the knobs and buttons though, using the Live II becomes a breeze. MPC X/MPC Live/MPC Touch, MPC Software 2, MPC Software 1.9. Future Publishing Limited Quay House, The Ambury, The most portable beat making machine is now the most complete portable music production solution. MPC Live II. To reconstruct Eurodance classics and Max Martin productions for Just Dance, and classic rock for Guitar Hero, the producer must go into forensic detail. Roland MC-707 Sequence, edit and chop samples on the bright 7-inch touch screen color display. Pioneer DJ Toraiz SP-16 We even took it outside, to a local park, to remove the model from the studio context, and it proved easily loud enough to irritate passers-by. There are other, less obvious tweaks to the Live hardware too. This top-notch eight-track sampler/sequencer features onboard effects and puts no restriction on sample length, and will be especially suited to those interested in glitches and processing. MusicRadar is part of Future plc, an international media group and leading digital publisher. Decksaver's super durable polycarbonate shell offers protection from dust, spillages and accidental impact. The company has upgraded the MPC software to version 2.8. The MPC software is the same across all current MPC hardware models, differences only arising in terms of hardware specifics, and they can all use the 2.8 update, available as a free download. Dutch genre-bender Mason tells us about the making of his third LP, Frisky Biscuits and why he loves sampling himself and ignoring trends, Not all velocity values are played equal – some may be more drastic than others. Akai Professional's reimagined MPC 2 Software drives MPC Live II in both standalone and controller modes. Equipped with a rechargeable battery for completely wireless operation, the Live really nailed the balance between self-sufficiency and versatility – stripped back enough to allow users to free themselves from the shackles of their studio computer while powerful enough not to leave them hankering after their DAW. It has a full-size headphone jack, six audio outputs, four inputs, full-size MIDI ports, and more. Audition, transpose, fade and change the tempo of a free sample before you put it into your project. It handles time changes well, and it’s easy to build a setup where the Force and Live II are both wirelessly synced to a Mac running Ableton Live 10. Full-size MPC pads give you the ultimate in drum performance and the expanded function buttons allow for quick editing on-the-fly so you never miss a beat. Bluetooth audio, though, is not supported on any of Akai’s hardware devices. There’s also wi-fi, which Link can also work with, and which is fantastic for more ad hoc jam situations. This Akai update isn’t solely about hardware though. All rights reserved. They’re also more about drum pads, Live especially, than the Ableton Push-style playable pads on the Force, which are more general-purpose and useable for beats, keyboard parts, and clip and scene launching. Let’s get it warmed up. Another new feature is the ability to edit note mapping – that is, to assign different MIDI notes to each pad in a program. It’s also possible to mix and match – any hardware that doesn’t support Link can be MIDI’d up. The Live was joined by a flagship studio model, the MPC X, and recently by the compact and affordable MPC One. Following several laptop-reliant iterations – MIDI controllers designed for bespoke software, effectively equivalents to NI Maschine – the company released a pair of MPCs that once again took things out-of-the-box with built-in CPUs that allowed them to operate as completely standalone, DAW-rivalling production tools. It’s effectively a computer and a musical instrument at the same time, and does an excellent job of juggling both jobs. Alongside these, there are four inputs, two pairs of MIDI in/out, and two USB-A and one USB-B ports, plus a full-size headphone jack, a speaker on/off switch, and an ethernet port for Ableton Link. The following are the ‘Quick Start’ guides for all the latest MPCs: Performed by veteran film percussionist Greg Knowles. On the software side, the MPC Live II and MPC One use the MPC software, which ties in with the desktop MPC DAW/plug-in mentioned earlier. It’s not as sophisticated as its competition but it is chunky and accessible. 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