Attendance at weekly screenings required.Meets general academic requirement HU. We will also consider how these topics are illus trated throughmelodrama’s aesthetics, such as music, dramatic editing, and symbolic use of setting. ENG 238, 239 Plays on Film "Plays on Film" is a study of the (all too few) successful films made from stage plays, approached in the context of why adaptations of plays to film typically don't, in fact, work. Meets general academic requirement HU (and W when offered as 239). Thus, film is a vital subject of intellectual inquiry that is useful to a wide range of students, not merely as vocational training for media professionals. The course will also include extensive practice in editing and re-writing, and include weekend trips to local cinemas to review films on short deadlines. Special Collections & Archives; Muhlenberg College Digital Repository; Student Honors Theses; Library Home; Library Technology; Film Screenings; Film Screenings Class Movie Screenings: B-02. In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Attendance at weekly screenings is required. The course also considers as a sub-theme the “road movie” in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. FLM 332 Film Cultures of North Africa & the Middle East  This course will focus on the development of national cinematic traditions in Egypt, on the struggle for cultural self-definition in the former French colonies of Algeria and Tunisia, on cinematic representations of post-revolutionary Iran, and on how Arab and Israeli filmmakers address the so-called “question” of Palestine. We will then look the ways these plays helped to revitalize the British cinema of the postwar era, creating a cinematic scene in which the free cinema and "kitchen sink" films of the 1950s gave way to the bold, taboo-breaking movies of the 1960s. FLM 336 African American Cinema This course surveys African American filmmaking from the silent ear to the present, along with a few films that represent the broader African Diaspora. See the most popular majors at Muhlenberg College. Pre-requisite: COM 351, Video Production. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. Selected French New Wave and Asian films, The Killing, Coffy, The White Hell of Piz Palu, and The Good, the Bad, and the Ugly, as well as others will also be examined. No more than 4 courses from any single department or major (other than FLM) can count toward the film major. Reads . Traces the history of film and video art from the early 1920s to the present focusing on its structural evolution, thematic shifts, coexistence with commercial cinema, and its impact on contemporary media.Meets general academic requirement HU. Prerequisite: THR 251 Acting II: Scene Study. FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). Director of Film Studies Associate Professor of Film Studies and Media & Communication B.A., College of William and Mary M.A., University of California, Berkeley Ph. FLM 380 Pre-Production Plan/DesignStudents will learn the process of film and videomaking from idea stage to the day before shooting begins. Majors & Fields of Study at Muhlenberg College. Network. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. Search. Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) Writers will comment on each other’s work in a workshop setting. Meets general academic requirement AR. Attendance at weekly screenings is required.Meets general academic requirement DE. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. FLM 385 Cinema of New EuropeThis course examines films that emerged in the “new Europe” after the fall of the Berlin wall in 1989, in the wake of the expansion of the European Union in the 1990s, and as a consequence of the mixing and mingling of Eastern and Western Europeans, and of immigrants from Asia, Africa, and the Caribbean, which has radically altered the ethnic composition of most European societies, particularly France. We will consider the role of popular film in the development of Indian nationhood, its influence on notions of gender and caste, and its function as a binding influence on the Indian Diaspora. Writers will comment on each other’s work in a workshop setting. The course examines the history and innovation of community television in the United States and overseas. Meets general academic requirement DE. American Studies at Muhlenberg offers students the opportunity to study the culture and history of the United States from an interdisciplinary perspective. Attendance at weekly screenings is required.Meets general academic requirement HU. The Student to Faculty Ratio is 11:1 as of 2018. Sie wird erst wieder 1n 2022 veranstaltet. FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Students will develop an understanding of the grammar, vocabulary, and conventions of film and video production, and the factors that shape viewers’ reception.Meets general academic requirement HU. Attendance at weekly screenings is required.Meets general academic requirement HU. The red doors on campus are a Lutheran sign for welcome! It focuses on films that are often classified as “women’s films” and “social problem films,” but also includes films that could be classified as action films or “men’s melodramas”― and so there will be a lot of discussion about issues of gender and race. Legal and ethical issues involved in media production are considered. Students will be exposed to many different forms and genres of film, including classic Hollywood cinema, but also documentary, independent, and experimental film along with the rich traditions of world cinema. This marvelous collection, gifted to Muhlenberg College in 1991, contains more than 31,000 pieces of American popular music published between 1900-1965. Film analysis, scholarly discussion, and Disability Services work in a workshop setting constructing. 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